tag:blogger.com,1999:blog-295788102024-03-19T01:22:04.805-07:00opened by customsUnknownnoreply@blogger.comBlogger26125tag:blogger.com,1999:blog-29578810.post-15942662509258492732009-11-30T16:43:00.000-08:002009-11-30T16:46:07.685-08:00LRL4 Announcing the newest issue of Little Red Leaves! LRL4<span style="font-family: arial,sans-serif; font-size: 13px; border-collapse: collapse;"><div><div><span style="font-size: large;"><a href="http://www.littleredleaves.com/LRL4/4home.html" target="_blank">http://www.<wbr>littleredleaves.com/LRL4/<wbr>4home.html</a></span></div> <div><br /></div><br />Featured in this issue is <b>a festschrift for John Taggart</b>, edited by Thom Donovan and C.J. Martin, with poems from Theodore Enslin, Pam Rehm, El<span style="font-size:85%;">é</span>na Rivera, Joel Chace, Kevin Holden, Frank Sherlock, C.J. Martin, and Thom Donovan. Also in this section is a new long poem from John Taggart, "Kitaj Angels," as well as a selected bibliography of works by and about John Taggart, compiled by Robert J. Bertholf.</div> <div><br /></div><div>This issue also includes new video from Jesse Seldess, a pamphlet by David Brazil, and extended selections of new work from Tyrone Williams, Maryrose Larkin, and erica lewis, as well as poetry from Nathan Austin, Tamiko Beyer, Sarah Mangold, Elizabeth Zuba, Carter Smith, Carol Guess, Britta Kallevang, Rob Halpern, Kate Schapira, Lauren Ireland, Margaret Konkol, David Wolach, Anna Elena Eyre, Kate Colby, Alexander Dickow, dawn lonsinger, Richard Owens, Laura Goldstein, JenMarie Davis, and Felicia Shenker.</div> <div><br /></div><div>LRL4 sees the complete redesign of the LRL website, as well as the launch of three new books in our LRL e-editions series:</div><div><b>Tina Darragh's & Marcella Durand's collaboration, </b><i><i><span style="font-size:85%;"><i><i><b>Deep eco pré</b></i></i></span></i></i></div> <div><b>Divya Victor's first long player, </b><i><b>SUTURES</b></i><b><br /></b></div><div><b>Norma Cole's </b><i><b>Do the Monkey</b></i></div><div>*See the ebooks page for further details: <a href="http://www.littleredleaves.com/ebooks/" target="_blank">http://www.<wbr>littleredleaves.com/ebooks/</a></div></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-67373621479540036812009-02-11T09:50:00.000-08:002009-02-11T09:57:22.798-08:00Little Red Leaves Issue 3 and LRL e-editions<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigkps1VEa2bdxbWQpriAS8Pt116jrU2MN3EteH-vLlKfBLSqADRRk3jMqkBBxfRQy3oH7-QY_rN4t0vkQhglV-rVHwaSdNvPXb6dRhkVk3PHMafWxUl0hk-SfeolLk-H11yU8JZQ/s1600-h/IMG_1390.JPG"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px; height: 132px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigkps1VEa2bdxbWQpriAS8Pt116jrU2MN3EteH-vLlKfBLSqADRRk3jMqkBBxfRQy3oH7-QY_rN4t0vkQhglV-rVHwaSdNvPXb6dRhkVk3PHMafWxUl0hk-SfeolLk-H11yU8JZQ/s200/IMG_1390.JPG" alt="" id="BLOGGER_PHOTO_ID_5301600269026585554" border="0" /></a><br /><span><span style="font-size:85%;"><span style="font-size:100%;">Announcing the third issue of Little Red Leaves: <a href="https://synergy.txstate.edu/owa/redir.aspx?C=ac15c0ba052f4bab8546d27fc4d620ca&URL=http%3a%2f%2fwww.facebook.com%2fl.php%3fu%3dhttp%3a%2f%2flittleredleaves.com%252FLRL3%252Fissue3home.html" target="_blank">http://littleredleaves.com/LRL3/issue3home.html</a><br /><br />Featuring work from Lisa Jarnot, Sarah Campbell, Erica Kaufman, Dennis Phillips, Sun Yung Shin, Jocelyn Saidenberg, Elizabeth Barbato, Richard Kostelanetz, Bonnie Emerick, Adam Golaski, Jessica Wickens, Bronwen Tate, David Hadbawnik, Tung-Hui Hu, Shiela Murphy, Linh Dinh, Eric Baus, and Rick London.<br /><br />Also in this issue are<br />--an excerpt from a collaboration between erica lewis and Mark Stephen Finein,<br />--poems from Ibrahim Nasrallah (trans. Rick London and Omnia Amin),<br />--and an excerpt from Norma Cole's Do the Monkey.</span><br /><br />*****************AND************************<br /><br /></span></span><div><strong>Announcing 4 new titles from LRL e-editions:</strong></div> <div><strong></strong> </div> <div><strong>--<a href="https://synergy.txstate.edu/owa/redir.aspx?C=ac15c0ba052f4bab8546d27fc4d620ca&URL=http%3a%2f%2fmail.google.com%2fmail%2fgoog_1234190921498" target="_blank">Harold Abramowitz's</a></strong><a href="https://synergy.txstate.edu/owa/redir.aspx?C=ac15c0ba052f4bab8546d27fc4d620ca&URL=http%3a%2f%2fwww.lulu.com%2fcontent%2f6010548" target="_blank"> <u>Technique of Bandaging and Splinting</u></a>,</div> <div><strong>--<a href="https://synergy.txstate.edu/owa/redir.aspx?C=ac15c0ba052f4bab8546d27fc4d620ca&URL=http%3a%2f%2fmail.google.com%2fmail%2fgoog_1234190921483" target="_blank">Susan Gevirtz's</a></strong><a href="https://synergy.txstate.edu/owa/redir.aspx?C=ac15c0ba052f4bab8546d27fc4d620ca&URL=http%3a%2f%2fwww.lulu.com%2fcontent%2f6010503" target="_blank"> <u>Prosthesis : : Caesarea</u></a>,</div> <div><strong>--<a href="https://synergy.txstate.edu/owa/redir.aspx?C=ac15c0ba052f4bab8546d27fc4d620ca&URL=http%3a%2f%2fmail.google.com%2fmail%2fgoog_1234190921488" target="_blank">Ted Greenwald's</a></strong><a href="https://synergy.txstate.edu/owa/redir.aspx?C=ac15c0ba052f4bab8546d27fc4d620ca&URL=http%3a%2f%2fwww.lulu.com%2fcontent%2f6010413" target="_blank"> <u>Permanent Record</u></a>,</div> <div>--and<strong> <a href="https://synergy.txstate.edu/owa/redir.aspx?C=ac15c0ba052f4bab8546d27fc4d620ca&URL=http%3a%2f%2fmail.google.com%2fmail%2fgoog_1234190921493" target="_blank"> Yedda Morrison's</a></strong><a href="https://synergy.txstate.edu/owa/redir.aspx?C=ac15c0ba052f4bab8546d27fc4d620ca&URL=http%3a%2f%2fwww.lulu.com%2fcontent%2f6010651" target="_blank"> <u>Darkness (chapter 1)</u></a>.</div> <div> </div> <div>Series Editors: <strong>C.J. Martin, Ash Smith, and Julia Drescher</strong> </div> <p class="x_style4">The series features both full-length and shorter collections, some reprints and others published here for the first time. </p> <p class="x_style4">We are offering all of the books as free pdf downloads (<a href="https://synergy.txstate.edu/owa/redir.aspx?C=ac15c0ba052f4bab8546d27fc4d620ca&URL=http%3a%2f%2flittleredleaves.com%2febooks%2f" target="_blank">http://littleredleaves.com/ebooks/</a>), but have also built sturdier reading copies, which are available through <a href="https://synergy.txstate.edu/owa/redir.aspx?C=ac15c0ba052f4bab8546d27fc4d620ca&URL=http%3a%2f%2flulu.com" target="_blank"> lulu.com</a> (links above). The lulu versions are offered at only $2 above cost in order to pay for the maintenance of the Little Red Leaves website, & they're very handsome! See the site for descriptions/details...</p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-75726728607013234742008-12-13T17:38:00.000-08:002008-12-13T17:39:30.638-08:00Boog City presents levy lives, featuring DOS PRESS<span><span style="font-size:85%;">Boog City presents<br /><br />d.a. levy lives: celebrating the renegade press<br /><br />Dos Press<br />(Maxwell, Texas)<br /><br /><br />Tues. Dec. 16, 6:00 p.m. sharp, free<br /><br />ACA Galleries<br />529 W. 20th St., 5th Flr.<br />NYC<br /><br />Event will be hosted by<br />Dos Press editors C.J. Martin and Julia Drescher<br /><br />Featuring readings from<br /><br />Rosa Alcalá<br />Julia Drescher<br />Ash Smith<br />Andrea Strudensky<br /><br />with music from<br /><br />Andrew Phillip Tipton<br /><br /><br />There will be wine, cheese, and crackers, too.<br /><br />Curated and with an introduction by Boog City editor David Kirschenbaum<br /><br />------<br /><br />**Dos Press<br /><a href="https://synergy.txstate.edu/owa/redir.aspx?C=92cfa626f6e443399ab8db6839159b89&URL=http%3a%2f%2fwww.dospress.blogspot.com%2f" target="_blank">http://www.dospress.blogspot.com/</a><br /><br />Dos Press is a handmade chapbook press co-edited by C.J. Martin and Julia<br />Drescher. They have published three books thus far in the first series, each<br />in dos-a-dos format: 1 book, 2 spines, 3 authors. Also in the first series<br />are poems from Hoa Nguyen, Carter Smith, Andrea Strudensky, Michelle<br />Detorie, Michael Cross, and Johannes Göransson. Noah Eli Gordon has said<br />that "the editors of Dos Press have done the valuable work of translating<br />the communal experience of attending a reading into the private realm of<br />actually reading" (Rain Taxi, summer 2008).<br /><br /><br />*Performer Bios*<br /><br />**Rosa Alcalá<br /><a href="https://synergy.txstate.edu/owa/redir.aspx?C=92cfa626f6e443399ab8db6839159b89&URL=http%3a%2f%2fwww.mipoesias.com%2fmipoprint%2fRosaAlcala2.pdf" target="_blank">http://www.mipoesias.com/mipoprint/RosaAlcala2.pdf</a><br /><br />Rosa Alcalá received her M.F.A. from Brown University and her Ph.D. in<br />English from the State University of New York at Buffalo. In 2001, Some<br />Maritime Disasters This Century was published as a limited edition pamphlet<br />by Belladonna/Boog. Undocumentaries, a selection of poems, is forthcoming<br />from Dos Press. Her poems have also appeared in The Wind Shifts: New Latino<br />Poetry, edited by Francisco Aragón (U of AZ Press), and Cinturones de óxido:<br />de Buffalo con amor / Rust Belt Encounters: From Buffalo with Love,<br />translated by Ernesto Livón-Grosman and Omar Pérez (Torre de Letras, La<br />Habana, Cuba). Alcalá has translated Cecilia Vicuña's El Templo (Situations<br />Press) and Cloud-net (Art in General). Her translation of Vicuña's<br />essay-poem, "Ubixic del Decir, 'Its Being Said': A Reading of a Reading of<br />the Popol Vuh," was published in With Their Hands and Their Eyes: Maya<br />Textiles, Mirrors of a Worldview, Etnografish Museum (Belgium). Alcalá's<br />translation of Bestiary: The Selected Poems of Lourdes Vázquez was published<br />by Bilingual Press. Forthcoming is a co-translation (with Mónica de la<br />Torre) of Lila Zemborain's Malvas Orquídeas del Mar/ Mauve Sea Orchids<br />(Belladonna). She has also translated poems for the forthcomingOxford Book<br />of Latin American Poetry.<br /><br /><br />**Julia Drescher<br /><a href="https://synergy.txstate.edu/owa/redir.aspx?C=92cfa626f6e443399ab8db6839159b89&URL=http%3a%2f%2fwww.littleredleaves.com" target="_blank">http://www.littleredleaves.com</a><br />Julia Drescher lives in San Marcos, TX, where she co-edits Dos Press with<br />C.J. Martin. She's also a contributing editor for Little Red Leaves. A<br />chapbook, Mock Martyrs / Abound, is out from dancing girl press. Another<br />chapbook is forthcoming from the Dusie Kollectiv. Other work may be found,<br />or will be found, in the following: Cranky, WOMB, the tiny, goodfoot, The<br />Colorado Review, zafusy, P-Queue, FOURSQUARE, and, with CJ Martin, Broke.<br /><br /><br />**Ash Smith<br /><a href="https://synergy.txstate.edu/owa/redir.aspx?C=92cfa626f6e443399ab8db6839159b89&URL=http%3a%2f%2fopened-by.blogspot.com%2f" target="_blank">http://opened-by.blogspot.com/</a><br /><br />Ash Smith has lived mostly in Central Texas and the Rio Grande Valley, where<br />she has worked with environmental and educational programs. She is finishing<br />a full-length manuscript at Texas State University. Water Shed, from Dos<br />Press, is her first chapbook.<br /><br /><br />**Andrea Strudensky<br /><a href="https://synergy.txstate.edu/owa/redir.aspx?C=92cfa626f6e443399ab8db6839159b89&URL=http%3a%2f%2flittleredleaves.com%2fLRL1%2fstrudensky.html" target="_blank">http://littleredleaves.com/LRL1/strudensky.html</a><br /><br />Originally from Montreal, Andrea Strudensky is living in Buffalo studying<br />poetry.<br /><br /><br />**Andrew Phillip Tipton<br /><a href="https://synergy.txstate.edu/owa/redir.aspx?C=92cfa626f6e443399ab8db6839159b89&URL=http%3a%2f%2fwww.myspace.com%2fandrewphilliptipton" target="_blank">http://www.myspace.com/andrewphilliptipton</a><br /><br />Andrew Phillip Tipton plays obnoxious anti-folk music about never wanting to<br />grow up. He records several albums every year in his bedroom, including last<br />year¹s critically ignored Champion of Love. He lives in Staten Island, where<br />he collects piggy banks.</span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-61724787806710796592008-12-13T06:27:00.000-08:002008-12-13T06:33:46.276-08:00Zemborain/ Alcala/ Del Torre/ Dec. 14/ 4pm Bowery Poetry ClubMauve Sea-Orchids/Malvas orquídeas del mar<p class="MsoNormal"><o:p></o:p></p><p class="MsoNormal">by Lila Zemborain, translated by Rosa Alcalá and Mónica de la Torre</p><p class="MsoNormal">with readings by the author and both translators!</p><p class="MsoNormal"><o:p></o:p></p><p class="MsoNormal">Sunday, December 14</p><p class="MsoNormal"><o:p></o:p></p><p class="MsoNormal">4PM (SHARP!)</p><p class="MsoNormal"><o:p></o:p></p><p class="MsoNormal">@ The Bowery Poetry Club</p><p class="MsoNormal"><o:p></o:p></p><p class="MsoNormal">(Bowery between Bleeker & Houston)</p><p class="MsoNormal"><o:p></o:p></p><p class="MsoNormal">$6 at the door</p><p class="MsoNormal"><o:p></o:p></p><p class="MsoNormal"><br /></p><p class="MsoNormal">Lila Zemborain is an Argentine poet and critic who has lived</p><p class="MsoNormal">in New York since 1985. She is the author of the poetry collections, Abrete sésamo debajo del agua (Buenos Aires, Ultimo Reino, 1993), Usted (Buenos Aires, Ultimo Reino, 1998), Guardianes del secreto (Buenos Aires. Tsé-Tsé, 2002) / Guardians of the Secret (Texas: Naomi Press, forthcoming), Malvas orquídeas del mar (Buenos Aires: Tsé-Tsé, 2004) / Mauve Sea-Orchids (New York: Belladonna Books, 2007), Rasgado (Buenos Aires: Tsé-Tsé, 2006), and the chapbooks Ardores (Buenos Aires, 1989), and Pampa (New York: Belladona Books, 2001). Her work, translated into English by Rosa Alcalá, has appeared in the art catalogues Alessandro Twombly (Brussels: Alain Noirhomme, 2007) and Heidi McFall (New York: Aninna Nosei, 2005). She has just published a collaborative work with artist Martín Reyna, La couleur de l'eau (Paris: Virginie Boissiere, 2008), translated into French by Sarah T. Reyna. She has authored the book-length essay Gabriela Mistral. Una mujer sin rostro (Rosario: Beatriz Viterbo Editora, 2002). She has been the director and editor of the Rebel Road Series (2000-2007), and since 2003 she curates the KJCC Poetry Series at New York University, where she is a Clinical Assistant Professor at the MFA in Creative Writing in Spanish. She is a John Simon Guggenheim fellow (2007).<o:p></o:p></p><p class="MsoNormal"><br /></p><p class="MsoNormal">Rosa Alcalá is the author of two chapbooks, Some Maritime</p><p class="MsoNormal">Disasters This Century (Belladonna), and Undocumentary (Dos Press). She also has poems in The Wind Shifts: New Latino Poetry (U of AZ). She has co-translated (with Mónica de la Torre) Lila Zemborain's Mauve Sea-Orchids (Belladonna), and forthcoming is her translation of Zemborain's Guardians of the Secret (Noemi Press). Other translations include Lourdes Vázquez's Bestiary and Cecilia Vicuña's Cloud-net. She also has translations forthcoming in the Oxford Book of Latin American Poetry. She holds an MFA from Brown University and a PhD from SUNY-Buffalo. Born and raised in Paterson, NJ, she currently resides in El Paso, Texas, where she is Assistant Professor of Creative Writing at the University of Texas, as well as Poetry Editor for Noemi Press.<o:p></o:p></p><p class="MsoNormal"><br /></p><p class="MsoNormal">Mónica de la Torre is author of the poetry books Talk Shows</p><p class="MsoNormal">(Switchback, 2007) and Acúfenos, a collection published in 2006 in Mexico City by Taller Ditoria. She c</p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-84426809125714301402008-09-22T13:16:00.001-07:002008-09-22T13:22:05.636-07:00Announcing Dos Press Chapbook #3<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://farm4.static.flickr.com/3263/2880281504_b67032bcec_o.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px;" src="http://farm4.static.flickr.com/3263/2880281504_b67032bcec_o.jpg" alt="" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://farm4.static.flickr.com/3251/2880281496_c75058beb8_o.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 200px;" src="http://farm4.static.flickr.com/3251/2880281496_c75058beb8_o.jpg" alt="" border="0" /></a><br /><span><span style="font-size:85%;">ANNOUNCING DOS PRESS CHAPBOOK #3<br /><br />1 book, 2 spines, 3 authors.<br /><br />Featuring:<br />Rosa Alcalá's UNDOCUMENTARY<br />Ash Smith's WATER SHED<br />Sasha Steensen's THE FUTURE OF AN ILLUSION<br /><br />Also featuring a selection of images from TX artist/writer Roberto<br />Ontiveros.<br /><br />Limited edition copies are available here:<br /><a href="https://synergy.txstate.edu/owa/redir.aspx?C=2ec662a0d5b5497481219dcc6118eb45&URL=http%3a%2f%2fwww.etsy.com%2fview_listing.php%3flisting_id%3d15222580" target="_blank">http://www.etsy.com/view_listing.php?listing_id=15222580</a><br /><br />Standard edition copies are available here:<br /><a href="https://synergy.txstate.edu/owa/redir.aspx?C=2ec662a0d5b5497481219dcc6118eb45&URL=http%3a%2f%2fwww.etsy.com%2fview_listing.php%3flisting_id%3d15438331" target="_blank">http://www.etsy.com/view_listing.php?listing_id=15438331</a><br /><br />See blog for details: <a href="https://synergy.txstate.edu/owa/redir.aspx?C=2ec662a0d5b5497481219dcc6118eb45&URL=http%3a%2f%2fwww.dospress.blogspot.com" target="_blank">www.dospress.blogspot.com</a><br /><br />Sasha Steensen is an Assistant Professor at Colorado State University. She<br />holds a B.A. in History and an M.F.A. in Creative Writing from the<br />University of Nevada, Las Vegas, as well as a PhD in Poetics from SUNY<br />Buffalo. Steensen teaches poetry workshops, literature courses, letterpress<br />printing, and bookmaking. She is the author of *The Method*(Fence Books,<br />2008), *A Magic Book*, which won the Alberta duPont Bonsal Prize (Fence<br />Books, 2004), *The Future of an Illusion* (Dos Press, 2008), and *<br />correspondence* (with Gordon Hadfield, Handwritten Press, 2004). Her poetry<br />has appeared in numerous journals, including*Denver Quarterly, Aufgabe,<br />Goodfoot, Free Verse, Slope, Shearsman, Shiny, *and* La Petit Zine*. Her<br />essays and reviews have appeared in journals such as *Boston Review, Chain,<br />P-queue*and *Interim*. She is currently working on a hybrid project, which<br />is part poetry, part memoir, part history of the Back-to-the-Land movement<br />of the 1970's. Steensen is also co-editor of Bonfire Press (<br /><a href="https://synergy.txstate.edu/owa/redir.aspx?C=2ec662a0d5b5497481219dcc6118eb45&URL=http%3a%2f%2fbonfirepress.colostate.edu" target="_blank">http://bonfirepress.colostate.edu</a>), and she serves as one of the poetry<br />editors for Colorado Review.<br />Steensen's work online:<br /><a href="https://synergy.txstate.edu/owa/redir.aspx?C=2ec662a0d5b5497481219dcc6118eb45&URL=http%3a%2f%2flittleredleaves.com%2fLRL2%2fsteensen.html" target="_blank">http://littleredleaves.com/LRL2/steensen.html</a><br /><a href="https://synergy.txstate.edu/owa/redir.aspx?C=2ec662a0d5b5497481219dcc6118eb45&URL=http%3a%2f%2fhandwritten.org%2fdownloads%2fhadfield-steensen.pdf" target="_blank">http://handwritten.org/downloads/hadfield-steensen.pdf</a><br /><br />*Rosa Alcalá* received her MFA from Brown University and her Ph.D. in<br />English from the State University of New York at Buffalo. In 2003, *Some<br />Maritime Disasters This Century*was published as a limited edition by<br />Belladonna/Boog Books (New York).*Undocumentaries*, a selection of poems, is<br />forthcoming from Dos Press. Her poems have also appeared in *The Wind<br />Shifts: New Latino Poetry*, edited by Francisco Aragón (U of AZ Press,<br />2007), and *Cinturones de óxido: de Buffalo con amor / Rust Belt Encounters:<br />From Buffalo with Love*, translated by Ernesto Livón-Grosman and Omar Pérez<br />(Torre de Letras, La Habana, Cuba, 2005). Alcalá has translated Cecilia<br />Vicuña's *El Templo* (Situations Press, 2001 ) and *Cloud-net* (Art in<br />General, 1999). Her translation of Vicuña's essay-poem, "Ubixic del Decir,<br />'Its Being Said': A Reading of a Reading of the Popol Vuh," was published in<br />* With Their Hands and Their Eyes: Maya Textiles, Mirrors of a Worldview*,<br />Etnografish Museum (Belgium, 2003). Alcalá's translation of *Bestiary: The<br />Selected Poems of Lourdes Vázquez* was published by Bilingual Press in 2004.<br />Forthcoming is a co-translation (with Mónica de la Torre) of Lila<br />Zemborain's Malvas Orquídeas del Mar/ Mauve Sea Orchids (Belladonna). She<br />has also translated poems for the forthcoming*Oxford Book of Latin American<br />Poetry*. Her poems, translations, and reviews have been published widely in<br />a variety of literary journals, including the *Barrow Street**, Brooklyn<br />Rail,* *tripwire*, *Kenyon Review*, and *Mandorla*. She has held artist<br />residencies and has given talks and readings in the U.S., Spain, Cuba, and<br />Scotland.<br /><br />Alcalá's work online:<br /><a href="https://synergy.txstate.edu/owa/redir.aspx?C=2ec662a0d5b5497481219dcc6118eb45&URL=http%3a%2f%2fwww.actionyes.org%2fissue7%2falcala%2falcala1.html" target="_blank">http://www.actionyes.org/issue7/alcala/alcala1.html</a><br /><br /><br />Ash Smith has lived mostly in Central Texas and the Rio Grande Valley where<br />she has worked with environmental and educational programs. She is currently<br />finishing a full length manuscript at Texas State University. *Water Shed*,<br />from Dos Press, is her first chapbook.<br /><br />Smith's work online:<br /><br /><a href="https://synergy.txstate.edu/owa/redir.aspx?C=2ec662a0d5b5497481219dcc6118eb45&URL=http%3a%2f%2fwebdelsol.com%2fDIAGRAM%2f7_1%2fsmith.html" target="_blank">http://webdelsol.com/DIAGRAM/7_1/smith.html</a><br /><br />--<br />325 Mill Rd.<br />Maxwell, TX 78656<br /><a href="https://synergy.txstate.edu/owa/redir.aspx?C=2ec662a0d5b5497481219dcc6118eb45&URL=http%3a%2f%2fwww.dospress.blogspot.com" target="_blank">www.dospress.blogspot.com</a></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-32164474662037508652008-02-23T08:46:00.000-08:002008-02-23T08:53:51.715-08:00Little Red Leaves<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://littleredleaves.com/LRL2/LRL2.html"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwnN6fp1yyR8on4SHOJIF6jsmDLIsi7f9wuvs-mm4VVsqP13BhbWZLjtkLAXC9blvrXHZDrZdxwwYaujI0ZbBLFvID39c89QQJXb1rZ5En_9fVxQPSUgpC6S-uiDnhwmwOTVwlFQ/s200/flowerwhirl.jpg" alt="" id="BLOGGER_PHOTO_ID_5170219128927552178" border="0" /></a><a href="http://littleredleaves.com/LRL2/LRL2.html">LRLissue 2</a><br /><br />Featuring:<br /><br />a selection of excerpts from the second Dos Press chapbook as well as<br /><br />--Michelle Detorie performing w/Austin percussionist Chris Cogburn in<br />video from the launch reading<br />--Johannes Göransson reading from his translations of Aase Berg, Henry<br />Parland, & Ann Jäderlund<br />--Michael Cross reading from his own work and from Brady & Halpern's<br />_Snow Sensitive Skin_.<br /><br />The issue also features new work from<br />Christiana Baik<br />Kristy Bowen<br />Joel Chace<br />Juliet Cook<br />Elizabeth Cross<br />Michael Cross<br />Betsy Fagin<br />Raymond Farr<br />Anna Fulford<br />Crane Giamo<br />Carolyn Guinzio<br />Anne Heide<br />Juliana Leslie<br />Ixta Menchaca<br />Bonnie Jean Michalski<br />Sheila E. Murphy<br />T.A. Noonan<br />Dawn Pendergast<br />Kyle Schlesinger<br />Sasha Steensen<br />Michelle Taransky<br />Eric Unger<br />Joshua Ware<br />Snezana ZabicUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-62308746789104732502007-12-27T22:56:00.000-08:002007-12-27T22:59:36.907-08:00Happy New Year<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNQ7L9YfTT1rag67JFnkEkHhYxD1gY6kfPiB0iIY5sPbBlGWNi-w3GgtU_noDFvwJrlJ3PccEU1L_J2szy4_GeC5adEEMlE5M6zp-tf5INSjsVGv2xp16SOKlomwa_ECk2krakqA/s1600-h/xmas2007+017stop.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNQ7L9YfTT1rag67JFnkEkHhYxD1gY6kfPiB0iIY5sPbBlGWNi-w3GgtU_noDFvwJrlJ3PccEU1L_J2szy4_GeC5adEEMlE5M6zp-tf5INSjsVGv2xp16SOKlomwa_ECk2krakqA/s200/xmas2007+017stop.jpg" alt="" id="BLOGGER_PHOTO_ID_5148914545486731554" border="0" /></a>Words for 2008 in Grand Saline, home of the Salt Palace, made of saltUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-2428177983157813602007-12-16T22:29:00.000-08:002007-12-16T22:33:29.597-08:00The Problem with Chistmas<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.hauntedink.com/ghost/index.html"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 281px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUtcFf0p4QtSPAeCUc7TsfD8m42gInqhD9xDsDJuqNpHHU5tPc-SuqlpRLWkjoQGD8THqUs3jvFkXGSdu5BKV2WpVig0yTfC3rH8KY6iBFwXeB6LoqMQ_0QBiH0dSrEExGHNFrTw/s200/dollad.jpg" alt="" id="BLOGGER_PHOTO_ID_5144825606266422642" border="0" /></a>inside: a wax recordUnknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-32045111053808076402007-06-18T13:59:00.000-07:002007-06-18T14:52:43.417-07:00<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5aLPTaH9cVyuj2a2sJvWU1Q4ONatlMOuq8y3OwaI7BskVnmDstX_qUyCqjUlhezY95kG2zIIPIOyvKpeEsFcpgxdx8Nny_vIOtuyqSJTe5UAvyFWn54pDnMeiE6-ZiiO7mO9XmQ/s1600-h/motherwithbaby.jpg"><img id="BLOGGER_PHOTO_ID_5077512301185217106" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5aLPTaH9cVyuj2a2sJvWU1Q4ONatlMOuq8y3OwaI7BskVnmDstX_qUyCqjUlhezY95kG2zIIPIOyvKpeEsFcpgxdx8Nny_vIOtuyqSJTe5UAvyFWn54pDnMeiE6-ZiiO7mO9XmQ/s320/motherwithbaby.jpg" border="0" /></a><br /><div>Many (serious) things I've been meaning to post on ... and will. Working on Red List poems (which do and don't address the red list), taxonomy poems (mostly Racehorse Inverse sequence-- and thinking about RI as a strange multisurfaced chap resisting and engaging with ideas of classification and coordinates), viral poems (from older manuscript "new shapes for the outside being eaten" and will prob change title -- though I found <a href="http://jacketmagazine.com/32/p-retallack.shtml">this essay</a> really interesting) </div><div><br /><br /></div><div></div><div>In the mean time, I didn't know that the boto (amazonian pink river dolphin) could be this pink! fantastic but sadly in <a href="http://www.treehugger.com/files/2007/06/pink_dolphins_a.php">danger</a>.</div><div><br /><br /></div><div>hmm... also thinking about a post on chance and divagation. </div><div><br /><br /></div><div>and xo to Jake and Bethany in whichit<a href="http://www.nflonline.org/AboutNFL/SpecialEvents">AH</a>!</div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-56074091629531243722007-06-11T19:50:00.000-07:002007-06-17T10:33:45.731-07:00Miriam Londono<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM-HFsh3hysalXeFO-DUdpcGIaHmAzlkYK_infvFmz_sEt2_a4saO-Tz-GWOItje40Xk7QltIpJPj9vbhRygmLuPYbgAI5FkcSYfAtB4J8ZyNTr5M_a__EgUQlKc5YZeQB8SsMdQ/s1600-h/words+as+opaque+space.jpg"><img id="BLOGGER_PHOTO_ID_5075005547817873986" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiM-HFsh3hysalXeFO-DUdpcGIaHmAzlkYK_infvFmz_sEt2_a4saO-Tz-GWOItje40Xk7QltIpJPj9vbhRygmLuPYbgAI5FkcSYfAtB4J8ZyNTr5M_a__EgUQlKc5YZeQB8SsMdQ/s320/words+as+opaque+space.jpg" border="0" /></a><br /><div>Really interesting work by <a href="http://www.jacquelinesanting.nl/papieruitnederland/spaans/indexSpaans.html">Miriam <span class="blsp-spelling-error" id="SPELLING_ERROR_0">Londono</span></a> (w/ an ~ over the later n). Curious to think about these <span class="blsp-spelling-corrected" id="SPELLING_ERROR_1">handwriting</span> pieces vs. the cityscape cutouts. </div><div></div><div></div><br /><div>I would like to do a project <span class="blsp-spelling-corrected" id="SPELLING_ERROR_2">involving</span> paper casts of fingers -- about the difficulty of counting in terms of crisis. Found out today that I would have to leave the wet cast of paper around my fingers until it dried. Diagnosis = I will need fake hands, or robotic hands to work for me while my hands are covered in paper. </div><br /><div></div><div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-87043176965869527312007-06-10T21:06:00.000-07:002007-06-10T22:51:27.846-07:00<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3cjNq2MiBXQm2eNX8b8XCahQYaFtr31R2kHlMQio_ZaWn4BtrYA0VF7oUnlz44zgKSy62p0xUetiAEWcaKBAQd11465UFjvo2EW8t0A6KtqHs_8pFMdxm2v1fXkYGVwnajtXIEw/s1600-h/minature+obscure.jpg"><img id="BLOGGER_PHOTO_ID_5074680040836444722" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3cjNq2MiBXQm2eNX8b8XCahQYaFtr31R2kHlMQio_ZaWn4BtrYA0VF7oUnlz44zgKSy62p0xUetiAEWcaKBAQd11465UFjvo2EW8t0A6KtqHs_8pFMdxm2v1fXkYGVwnajtXIEw/s320/minature+obscure.jpg" border="0" /></a><br /><div>Looking around at the <a href="http://www.iapma.info/">IAMPA</a> site -- so many good artists. I found "minature obscure" in Cornelia Beate Ahnert's gallery = the only lit journal I've seen come housed in a hamster wheel. </div>Unknownnoreply@blogger.com2tag:blogger.com,1999:blog-29578810.post-7303627858881154182007-06-04T12:21:00.000-07:002007-06-08T12:41:34.337-07:00Some notes on the wonderment inducing properties of dos press<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPbkF2mKXsk7Xs0Co867xwhixVnxBIOKeVPampqbXnIA9xTYBqsRLqjLlkUF8OODiFw7psjnECOXu2jLGzZPu2vo6Eta4cRFSJZc_gcRFQgZyF2do_lSPy4TUcksFLgw1nBZdRnQ/s1600-h/dos+015.jpg"><img id="BLOGGER_PHOTO_ID_5072297750969418322" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPbkF2mKXsk7Xs0Co867xwhixVnxBIOKeVPampqbXnIA9xTYBqsRLqjLlkUF8OODiFw7psjnECOXu2jLGzZPu2vo6Eta4cRFSJZc_gcRFQgZyF2do_lSPy4TUcksFLgw1nBZdRnQ/s320/dos+015.jpg" border="0" /></a><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilTki0wPtEoVhAqGCaNqLDUt-l0paXy5LFVg6MAAYOvsG3LrBvWMwKeEE0QIS4QC9A9Ll-bwi96X-nrmup5ebR7Jag7zQAuRG3gcWFRgfiQ0YCOuT1Q9R41kJOMKBsrra5dCyDow/s1600-h/dosunfold.jpg"><img id="BLOGGER_PHOTO_ID_5072295723744854594" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilTki0wPtEoVhAqGCaNqLDUt-l0paXy5LFVg6MAAYOvsG3LrBvWMwKeEE0QIS4QC9A9Ll-bwi96X-nrmup5ebR7Jag7zQAuRG3gcWFRgfiQ0YCOuT1Q9R41kJOMKBsrra5dCyDow/s320/dosunfold.jpg" border="0" /></a><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiac_Wk9vJ0ZwKARtEuCWCEbBi8RSeK1SdmBNTgEZQo7d-roQGgiNtunJ-YUxJWmPCq6GfskUvovUjj1QYemkk0_uXj_5jbL6ZULeQdV9LDbiVhUb-waJSDWA9zg7saTWTRoM4ZqA/s1600-h/doscrane.jpg"><img id="BLOGGER_PHOTO_ID_5072294203326431794" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiac_Wk9vJ0ZwKARtEuCWCEbBi8RSeK1SdmBNTgEZQo7d-roQGgiNtunJ-YUxJWmPCq6GfskUvovUjj1QYemkk0_uXj_5jbL6ZULeQdV9LDbiVhUb-waJSDWA9zg7saTWTRoM4ZqA/s320/doscrane.jpg" border="0" /></a><br /><br /><br /><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL9YnEWvg3HpXwIEFK8_NsqTNIE_rsYcsaVkJdPtUAceQLJxSvNmSOuPmYkoB9jK2TQUqLJmHA8puSXGQe8wvkLuXBS7CaFQOaztG36aCtVsoIfOJwaFDXz-fCWufvA6dyYkl6TQ/s1600-h/dossides.jpg"><img id="BLOGGER_PHOTO_ID_5072292962080883234" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL9YnEWvg3HpXwIEFK8_NsqTNIE_rsYcsaVkJdPtUAceQLJxSvNmSOuPmYkoB9jK2TQUqLJmHA8puSXGQe8wvkLuXBS7CaFQOaztG36aCtVsoIfOJwaFDXz-fCWufvA6dyYkl6TQ/s320/dossides.jpg" border="0" /></a><br /><br />Really glad I got to make it to the <a href="http://dospress.blogspot.com/">dos press</a>/ <a href="http://presspresspress.blogspot.com/2007/04/kadar-koli-spring-2007-5-cover-by.html"><span class="blsp-spelling-error" id="SPELLING_ERROR_0">kadar</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_1">koli</span></a> launch party at 12<span class="blsp-spelling-error" id="SPELLING_ERROR_2">th</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_3">steet</span> on Saturday. 12<span class="blsp-spelling-error" id="SPELLING_ERROR_4">th</span> Street Books is a great place to start with, but the readings were really, really good, and it was wonderful to see everyone.</div><div> </div><div>Most of all, I can't get over how really stunning these the dos press chaps are. Chris and Julia are ridiculously talented, but I'm still impressed with how well conceived the idea is, and with all of the gorgeous work that brought these books together. My copy is an aspirin kissed pink with a silver crane/map and black poppy. It's spacious for its 4x4 interlocking scale, and unassuming but intricate. Moreover, there are some really good poems in here, from some really interesting authors -- while each poet seems to occupy a distinct territory in language, the book design emphasises a kind of <span class="blsp-spelling-error" id="SPELLING_ERROR_5">geo</span>-spatial connection between the authors, as if they were each around the corner from each other in other ways. The press <a href="http://www.flickr.com/photos/63176434@N00/"><span class="blsp-spelling-error" id="SPELLING_ERROR_6">flickr</span></a> site has some nice images of the birth of the chap, but they really can't compare to turning the book over in your hands and reading the poems. </div><div> </div><div>Julia's "<span class="blsp-spelling-error" id="SPELLING_ERROR_7">Minumentals</span>" are also seriously more amazing to see in all their three-dimensional <span class="blsp-spelling-error" id="SPELLING_ERROR_8">fabulousness</span> than the pictures convey. It's surprising to look into each box, (I even had a dream about the one with the shaky white feather) but the choice of objects and arrangement feels really suited to the richness and compression in the <span class="blsp-spelling-error" id="SPELLING_ERROR_9">Niedecker</span> lines. I love love love them. There are still a few left, along with special edition hand sewn chaps available by donor subscription. ....probably post more later about the poems.</div></div></div>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-29578810.post-70855375680244746542007-05-31T21:02:00.000-07:002007-05-31T21:12:35.409-07:00Opera omnia<a href="http://farm1.static.flickr.com/249/524365099_859bf33eb1_o.jpg"><img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://farm1.static.flickr.com/249/524365099_859bf33eb1_o.jpg" border="0" /></a> Already slacking at blogging, but writing poems instead. I'm also looking at <a href="http://www.botanicus.org/browse">this</a> -- a digitized site of rare and complete botanical books. The image above is from a <span class="blsp-spelling-corrected" id="SPELLING_ERROR_0">medieval</span> book called "Opera <span class="blsp-spelling-error" id="SPELLING_ERROR_1">omnia</span>, <span class="blsp-spelling-error" id="SPELLING_ERROR_2">seu</span>, <span class="blsp-spelling-error" id="SPELLING_ERROR_3">Thesaraus</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_4">locupletissimus</span> <span class="blsp-spelling-error" id="SPELLING_ERROR_5">botanico</span>-<span class="blsp-spelling-error" id="SPELLING_ERROR_6">medio</span>-<span class="blsp-spelling-error" id="SPELLING_ERROR_7">atonomicus</span> ..."<br /><div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-46627255376541590202007-05-29T09:02:00.000-07:002007-06-08T12:41:34.337-07:00Really good poems by Rosa Alcala in <a href="http://cache.libsyn.com/miporadio/RosaAlcala2.pdf">pdf</a>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-74025477756391026182007-05-28T15:36:00.000-07:002007-05-28T15:48:37.297-07:00<a href="http://farm1.static.flickr.com/234/518618148_bce4b4b976_o.jpg"><img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://farm1.static.flickr.com/234/518618148_bce4b4b976_o.jpg" border="0" /></a><br /><div>Thank you everyone for the birthday wishes today! In turn, I am going to try blogging for real for the next 27 days as a way to keep in touch better (or something). To prove the seriousness of my intent, I have posted an obligatory picture of my cat. <span class="blsp-spelling-error" id="SPELLING_ERROR_0">xoxo</span></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-83933360555423530912007-03-13T18:30:00.000-07:002007-03-13T20:34:33.368-07:00DIAGRAM<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3BPtty5OwYP9w6R6FVeAopoIT3MpYGy3LwuzHSeVR41gtGqLCCClb0v-Z-Oj5-gD6bhwu98NCF9d6LwhX7ooFeczxAygexpktA2CXRvlIjxFswvQyz9MWcXNgtPq5mFFBVr_4bQ/s1600-h/diagramhead.jpg"><img id="BLOGGER_PHOTO_ID_5041616847246291426" style="DISPLAY: block; MARGIN: 0px auto 10px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3BPtty5OwYP9w6R6FVeAopoIT3MpYGy3LwuzHSeVR41gtGqLCCClb0v-Z-Oj5-gD6bhwu98NCF9d6LwhX7ooFeczxAygexpktA2CXRvlIjxFswvQyz9MWcXNgtPq5mFFBVr_4bQ/s320/diagramhead.jpg" border="0" /></a> <div>One poem up at <a href="http://thediagram.com/7_1/index.html">DIAGRAM 7.1</a> -- but be warned! Rather than the lovely double-taking head in the upper right corner which helps the reader navigate back to the table of contents, my page just says ToC in red letters. And those letters will never get you back to the ToC. Instead, you will be stuck with my poem for a long, long time. </div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-43443468394373001952007-03-09T20:13:00.000-08:002007-03-09T20:32:12.485-08:00<a href="http://frontporchjournal.com"><img style="DISPLAY: block; MARGIN: 0px auto 10px; WIDTH: 320px; CURSOR: hand; TEXT-ALIGN: center" alt="" src="http://farm1.static.flickr.com/128/416113231_783aaa787f_o.jpg" border="0" /></a> <a href="http://frontporchjournal.com"><span style="color:#000000;"><strong>Poetry</strong> CD Wright, Coral Bracho trans. Forrest Gander, John Evans, Jenny Gillespe, Michael McGriff, Emily Louise Smith, F. Daniel Rzicznek, Arianne Zwartjes <strong>Fiction </strong>Zdravka Evimova, Judy Wilson <strong>Nonfiction</strong> Barry Hannah, David Keifbar, Marjorie Perloff <strong>Audio/Video</strong> Percival Everett, Denis Johnson, Wright, Gander, Perloff<strong> Book Reviews</strong></span><br /></a><div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-19117438206772292632007-01-17T15:10:00.000-08:002007-01-17T15:18:11.443-08:00Ice is cool<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKo7p9S2IRUt8_DaJg-OIEEWulXILGwjFi_r_KtmgQ0b1hs56aJqlOpRwmOYDoFDZvubziJT8pgWwf5xMROV1DcgKLs6tPi9lSiGi9VwUxCjDB4Ik__gZkuAnFTo7Fob2KVSrSOg/s1600-h/ice+005.jpg"><img id="BLOGGER_PHOTO_ID_5021142153059779250" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKo7p9S2IRUt8_DaJg-OIEEWulXILGwjFi_r_KtmgQ0b1hs56aJqlOpRwmOYDoFDZvubziJT8pgWwf5xMROV1DcgKLs6tPi9lSiGi9VwUxCjDB4Ik__gZkuAnFTo7Fob2KVSrSOg/s320/ice+005.jpg" border="0" /></a><br /><div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-8063005890645209402007-01-17T15:04:00.000-08:002007-01-17T15:10:16.965-08:00<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5oaLd83MC0B4bFsnq9RnSf00i6DW2ZSSFMjb9ZVQQrEA-dV6bI54uPL4A9cfRdJ1Q1AgtvaeBjbfxRCp7DEb6nIEpCZNcisNln0K3YGI0qwDVP_DxawDIe_V-S1cadykw_zftXQ/s1600-h/ice+006.jpg"><img id="BLOGGER_PHOTO_ID_5021140538152075938" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5oaLd83MC0B4bFsnq9RnSf00i6DW2ZSSFMjb9ZVQQrEA-dV6bI54uPL4A9cfRdJ1Q1AgtvaeBjbfxRCp7DEb6nIEpCZNcisNln0K3YGI0qwDVP_DxawDIe_V-S1cadykw_zftXQ/s320/ice+006.jpg" border="0" /></a><br /><div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-53752303967195364792007-01-17T14:50:00.000-08:002007-01-17T15:03:58.276-08:00<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrx8EdIZmMh0fEBEB0LyfoWqYxdfjMYnvfX5gxjRg2cgoBVc8YLawoKFHw7vW1g_LyzaaCDGoO-EloyTXQkUemt8djmt60IQwR5xe06hjTUOSb7VVGtNFqlkBd2K6X1UjWXGoNSA/s1600-h/ice+004.jpg"><img id="BLOGGER_PHOTO_ID_5021138966194045586" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrx8EdIZmMh0fEBEB0LyfoWqYxdfjMYnvfX5gxjRg2cgoBVc8YLawoKFHw7vW1g_LyzaaCDGoO-EloyTXQkUemt8djmt60IQwR5xe06hjTUOSb7VVGtNFqlkBd2K6X1UjWXGoNSA/s320/ice+004.jpg" border="0" /></a><br /><div></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-30167280526057919982007-01-16T19:39:00.000-08:002007-01-16T19:42:43.670-08:00~*~Womb Poetry Vol.1 : Hives & Covens~*~<br /> <a href="http://www.wombpoetry.com/" target="_blank">http://www.wombpoetry.com/</a><br />dedicated in memory to kari edwards<br />* t h r u m *<br /><<a href="https://synergy.txstate.edu/exchweb/bin/redir.asp?URL=http://www.wombpoetry.com/hives.html" target="_blank">http://www.wombpoetry.com/hives.html</a>>: kari edwards : Eileen Tabios : Barbara Jane Reyes : Elizabeth Treadwell :Ann Bogle : : Alison Cimino :Susan B.A. Somers-Willett : Amy King : KristyBowen : Julie Choffel : : J.B. Rowell : Ebony Golden : Jenna Cardinale :Juliet Cook : Susan Morrison-Kilfoyle : : Holaday Mason : Toti O'Brien :Jessica Schneider : Karen McBurney : Sunnylyn Thibodeaux : : Sarah Mangold :Meagan Evans : Jennifer Bartlett : Marcia Arrieta : Michele Miller : :Priscilla Atkins : Anne Elezebeth Pluto : Marie Buck : Michalle Gould : AnneHeide : : Susan Meyers : Melissa Eleftherion : Susan Settlemyre Williams :J. Elizabeth Clark :<br />* s p a r k l e * <<a href="https://synergy.txstate.edu/exchweb/bin/redir.asp?URL=http://www.wombpoetry.com/hives.html" target="_blank">http://www.wombpoetry.com/hives.html</a>><<a href="https://synergy.txstate.edu/exchweb/bin/redir.asp?URL=http://www.wombpoetry.com/hives.html" target="_blank">http://www.wombpoetry.com/hives.html</a>>: Danielle Pafunda : Kathryn Miller : Julia Drescher : k. lorraine graham :Karen McBurney : : Michelle Caplan : Marcia Arrieta : Ashley Smith : AnnetteSugden : Christine Bruness :<br />* c h i m e *<br /><<a href="https://synergy.txstate.edu/exchweb/bin/redir.asp?URL=http://www.wombpoetry.com/hives.html" target="_blank">http://www.wombpoetry.com/hives.html</a>>: a chapbook by Julia Drescher :Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-1151519759882859972006-06-28T11:35:00.000-07:002007-01-16T22:16:21.969-08:00Roberto Ontiveros = Our Shy Salt<a title="Photo Sharing" href="http://www.flickr.com/photos/37957495@N00/177136528/"><img height="500" alt="our-shy-salt" src="http://static.flickr.com/66/177136528_e315d7eab0.jpg" width="335" /></a>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-1151519248252287542006-06-28T10:58:00.000-07:002006-06-28T23:27:00.156-07:00Coat of Prisms<marquee direction="down">mouth of water</marquee><tt><marquee>hair of this bird entering water</tt></marquee><b><marquee direction="up">hitting asphalt</marquee></b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-1150250934359255542006-06-13T18:50:00.000-07:002006-07-05T09:54:17.186-07:00he taught me spelling<a href="http://photos1.blogger.com/blogger/2569/3090/1600/racehorse%20001.jpg"></a><marquee>a hook shape,<br />insect net </marquee><br /><marquee direction="up">moth <marquee direction="right">taken from the center</marquee></marquee><marquee direction="down">mouth</marquee><br /></span></span><br /><align="bottom"><em>like a willing hand </em></align><br /><span style="color:#000000;"></span><br /><span style="color:#000000;"></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-29578810.post-1150249630870727322006-06-13T16:59:00.000-07:002006-06-13T19:57:03.603-07:00Dichondra<marquee direction=up> summer</marquee><marquee direction=down> hammers</marquee><br /><marquee> such light wheels </marquee> <marquee direction=right> open leaves</marquee>Unknownnoreply@blogger.com0